They Ain't Nothin' You Can Do About It: A Play in One Act
ACT 1 SCENE 1
Two women are
sitting on a porch of a two-story white clapboard house with peeling yellow
paint. One sits on a porch swing with a
bowl of yellow butter beans in her lap, shelling them briskly. The other, younger, is sitting on the
floorboards. There is a bowl of
unshelled beans laying next to her. She
is fidgety, sitting cross-legged. It is
summer in Haleyville, Alabama, 1972.
AUNT MAMA: Come on, now, you almost done. What's come over you? Robert Booker can
shell 'em faster than that.
CHARLSIE: (placing the bowl in her lap, putting her
hand in the bowl and lifting
up and dropping the peas) Oh, Aunt Mama,
it's just so hot
out. I hardly got any energy. God, if I
have to shell another
butter bean, I think I’ll scream. (Starts
to sing: “My fingers are sore, can’t pick up another
bean. When will this end-this agony
for me?”)
AUNT MAMA: (shaking
her head). Lord, girl, maybe you do
need to go cool off. You ought to go swimming. You always had
energy for
that. Go see one of them little old
girlfriends of yours.
CHARLSIE: Nah,
I think it’s too hot to go swimming.
Anyway, ain’t no one here. Bunch of ‘em went up to Beeham to that stupid
ole’
charm school-Mrs. Mary Pickety-Picks Pick of the Litter- How
to snatch and keep a good ole’ boy in six easy lessons” (exaggerates
her voice and posture).
AUNT MAMA: It
dudn’t matter, Charlsie, a lady is born, not made. So ever how
many times they practice their posture and rearrange the forks on the table, the
truth’s the truth, and they ain't nothing
you can do about it.
CHARLSIE: I
know, but maybe sometimes even a lady needs a little polishing.
but sometimes I look at them and then at
me. I don’t even look
like a girl half the time, Aunt Mama. I
have no
figure and I’m taller than most of the boys.
Sometimes I feel like they’re
all holdin out on some secret and I’m always the last to
know. You know what I mean? It’s not like I really care. I mean, what do they know? They can’t even hardly hold
up their fork without help from their left hand. It’s just that, sometimes, I
wish I knew what they were talkin about.
Sometimes,
I wish I could be let in on the secret, just once.
AUNT MAMA: Girl,
that’s just not true. You know plenty,
just like your Mama. And she
didn’t have to go tellin’ the whole world she knew. (She stops shelling for a moment, sits back
in the chair and closes her eyes and smiles.) You should have seen
your mama the first time I laid eyes on her.
Charles was so excited, making up the dining
room two days early. But
when she walked in, I was so surprised.
He made her out to be so powerful,
we all just couldn’t wait to meet her. Then
in walks this little old bitty thing.
Her wrists and ankles were about the
size of your dolls. And the way she
talked! It was so quiet-like. You had to lean forward just to hear what she was
saying. So there we were, sittin’ at the
table, straining
our necks just so we wouldn’t miss her say, “Please pass the butter beans, Miss Fayrene”. (Aunt
Mama’s voice changes
slightly). Yeah, there was something else about her, though, that hit you ‘bout
the same time as the size of her
did. Those big ole’ pretty eyes. Coal
black and they looked
right through you, Charlsie. Just right
through you. It was
a little spooky. Poor thing.
CHARLSIE: Did
y’all like her right away?
AUNT MAMA: Oh,
it wasn’t a question of liking her. I don’t think Charles would
have given us any choice about it. But it wasn’t hard. You
know how some folks hit you pretty hard the very first time
you meet them? And you feel like you’d always known them
even though you just laid first eyes on ‘em. Your mama was like that. Oh, boy, you should have seen Charles around
her. No, He didn’t give us no choice about liking her. Remember
them ole Senterfitt boys? Well, don’t no
one know
now what happened to them but long before he met your
mama your Daddy used to run around all
night with them. Well, that surely changed. One
time he stayed out all night with those
Senterfitt boys. It was the last time he ever did. The next morning after he came home looking
like a drunk skunk she told him, “Charles, I
was really worried about you.” She didn’t even raise her voice. Let me tell you. I
never saw anyone lose his appetite so fast. He dropped his biscuit like it
had been caught afire. And he loved his biscuits
as much as you do. She just had a way of
lookin’ at you,
made you feel ashamed. It was only a
few months later
that you know, that you came. It had been rainin’ all day. Charles had gotten stuck in Birmingham
because the roads
had been too slick and we didn’t really expect you that soon. But
I never, never, saw anyone struggle so hard.
And, after about seven hours of her,
screaming-I shouldn’t be telling you
this-.
CHARLSIE: It’s
my mama we’re talkin’ about.
AUNT MAMA: (Patting
her on the hand). I know,
sweetie. By the time, Charles
got here, you were already fed twice, and she (reaches up to rub her eyes) was lying,
breathing so low I had to put my hand over her mouth every few minutes,
waiting
for her breath to come. Oh, when that
door finally opened and he walked in he was about crazy
with worry. He shut the door to us and we heard a few
minutes later crying and yelling and
carrying on. Charles, we told him, open the door. Please will
you open the door for us? Nothng. But then we heard
something, like a cat yelling or in heat or something godawful
sounding like that. Never heard anything
like it before. It sounded like one of them black panthers. It chilled me to the bone. I pounded on the door, but
he had locked it.
CHARLSIE: How
long did he stay in there?
AUNT MAMA: All
night long, honey. We were just gettin’
ready to call the Sheriff when the
door just opened and he came on out. He just
stood there, holding you in his arms. He started singing, humming
something, but it wasn’t a lullaby. Lord, I had forgotten how black your hair
was. You weren’t crying or anything,
but you had to be hungry. But it was
like you knew something
we didn’t. You always did. Them eyes (shaking her
head). Got them same old-seeing eyes of hers.
CHARLSIE: I
don’t know what happened to me, then.
Cause I feel like I don’t see a damn
thing. (AUNT MAMA raises her eyebrows)
AUNT MAMA: He said two things to me, and that’s the
last thing I ever heard him say
since. He said, “She’s gone, Fayrene.” Then he
looked down at you in his arrms. “I
think she’s hungry.” We didn’t
notice until the next day that he was gone. But I knew he wasn’t coming back. You
can’t blame him, baby. He was lost
without her. Oh, honey you’ve heard all this before.
CHARLSIE: (She has a serious look on her face but when
she speaks she tries to appear nonchalant) What
place was he working at in Birmingham,
Aunt Mama?
AUNT MAMA: Oh,
baby, give it up. You ain’t going to
find him. When someone
don’t want to be found, he won’t.
CHARLSIE: (acts as though she hasn’t heard AUNT MAMA
speak) I'm tired of swimmin'. I'm tired of visitin'. And (putting
the bowl back
down) I'm tired of shellin'.
AUNT MAMA: Well, I hope you tired of eatin’, too,
'cause that's gonna be your supper. (Bends down with a slight groan and takes CHARLSIE’S
bowl). Here, give 'em to me. I'm ‘bout done, anyway.
ACT 1 SCENE 2
(CHARLSIE is sitting at the counter of the
pancake house, staring at a young blonde man who is reading the newspaper. Sensing that she is watching him, he keeps
looking up from the paper. She is waiting for a chance to talk to him. He puts the paper down. Just as she gets up to speak to him, someone
approaches him. A young man whom she
recognizes from school. He sees her and
whispers something to the young man.
They get up and walk over to her.
She gets nervous, wiping her palms against her skirt. The one she recognizes puts out his hand).
BOY: Well,
hey there. You're Fayrene’s niece, aren't you? (He turns toward the young man). Her aunt used to clean
mother's house. (CHARLSIE blushes. The young man pretends
not to notice and offers his hand to her, smiling)
YOUNG MAN: My name is Hem. It's very nice to meet you.
CHARLSIE: Him? H-I-M?
You kiddin' me?
HEM: (laughing): No. H-E-M. Isn't that the craziest thing you ever heard? I guess one day I ought to think about
changing it to something
a little more specific.
CHARLSIE: What? Like, He?
Heard? Does it have to start with
an "H"? Or, you could just
drop the "M" and be "HI".
It would make introductions a
lot simpler.
BOY: (looking confused). Y'all are
silly. Hey, Charlsie, you want to
get something to eat with us? We’re going over to Mrs. Coley’s
house. You’re welcome to join us.
CHARLSIE: You
mean with you and "HIM"? (They
start laughing) Okay,
though I don’t think I’m exactly her favorite cup of tea.
BOY: That’s alright. She
doesn’t seem to care for HEM either (pointing at HEM. The three of them are laughing and walking
down the street.)
ACT 1 SCENE 3
(A few days later,
AUNT MAMA and CHARLSIE are once again on the porch, this time shelling green peas,
and this time CHARLSIE seems very excited. She’s shelling very fast, not paying
much attention to what she’s doing.)
CHARLSIE: You
know how some people's toes look kind of gnarly, like the
roots of that walnut tree? His ain't
like that. His toes line up so nice, like
little soldiers. Perfect little straight soldiers. They're slender.
But not bony. Not like mine. And his second
toe is barely higher than his big toe.
Not like Bascom's. I just hate the way his big toe sticks out
above all the
rest. Like it wanted to outgrow the
others.
AUNT MAMA: Girl, what are you talkin' about? (She
raps CHARLSIE gently on the hand).
Don't pick at 'em so hard. You goin' to scratch the meat.
CHARLSIE: They're
so clean. Pink. I betcha they smell good, too.
AUNT MAMA: It don't sound a whole lot like you
talkin' about his feet. (CHARLSIE blushes) Well, I'm glad he
knows how to take a bath. And whatcha mean, wantin' to smell somebody's
feet? Lord,
how have I raised you? Why were you
lookin' at this boy's feet in the first place?
CHARLSIE: (laughing). I didn't start off lookin' at his feet. I jus saw the back
of his head. Lord, he's got the blackest
hair. Then he turned
around, and, I don't know, I jus' kind of worked my way
down.
AUNT MAMA: Well,
I hope you didn't spend too much time in the middle. (She starts laughing at CHARLSIE, who looks
shocked).
CHARLSIE: I'm
serious, Mama. He's beautiful. Oh, I hope he stays
all summer. You think he might want to
go to the
movies? Or, maybe take a little driving trip.
AUNT MAMA: Well, I guess you could ask
him. I don't care much for the Coley's
though. They always runnin' around with their
heads pulled up higher than anybody else.
You could ask him. If he says no, well, I guess they ain't nothin'
you can do about it.
CHARLSIE: He
won't say no will he? What should I say
to him?
AUNT MAMA: You don't need to say
anything. Just call him up and tell
him who you are and ask him does he like watching
movies. What movie's playin'?
CHARLSIE: (pretending to look worried): I don't know.
Will that matter?
AUNT MAMA: No, honey, I don't think
that's goin' to matter too much. (glances at the clock on the porch). You better go
on, huh?
CHARLSIE: Well, we may get
something to eat afterward. I don’t think
you should wait up for me. I know you’ve
been tired
lately.
AUNT MAMA:
Don’t worry, Charlsie. I took out a policy a long long time
ago, when you was just a baby.
CHARLSIE: (looking genuinely shocked) Mama, I don’t care nothing
about that. You know I don’t.
AUNT MAMA: (pretends she didn’t hear CHARLSIE calling
her ‘Mama’) Oh, I know. I want to hear a song, Charlsie. You
think you can sing a song for me?
CHARLSIE:
(Begins to sing). “When you find me, you will know me.
Cause I’ve always been here. All the
trips you’ve taken,
you were never alone.”
AUNT MAMA:
You got the
sweetest voice. I never get tired of hearing
it. You should sing, more,
Charlsie. Go to that
school in Birmingham.
CHARLSIE:
I’m not
leaving you. Anyway, what good is
singing except something to pass the
time away. Nothing useful
about that.
AUNT MAMA:
Lord, I hear you
talk, and I feel badly. I hope I’ve done
you right. Well, you better leave me now if you plan
on making that movie.
ACT 1
SCENE 4
(Later that afternoon. A
rundown bar in Birmingham. A man sits at
the piano. Charlsie and Hem
approach. He looks at them but continues
to play. )
CHARLSIE: Charles R.
Elliott.
MAN: Now, whoever’s
using my full name is either after me, or
wants to give me something. What
category do you
fall into?
CHARLSIE:
You don’t recognize me,
do you? I didn’t really think you
would. Chubby little hands and feet and
face can change,
I guess. Still, I don’t know, I guess I was hoping.
MAN: Do I know you,
girl? You need to state your point cause
I need to get back to my business.
CHARLSIE: You
don’t know who I am, at all, do you?
MAN: I don’t believe I
ever laid eyes on you before. Or Him.
CHARLSIE:
Careful what
you say.
MAN: Well, I ain’t
sayin you don’t look a little familiar
to me.
CHARLSIE:
I ought to
look more than familiar to you.
MAN: You’re a strange
one, aren’t you? He with you?
CHARLSIE:
That’s my
friend. Drove over from Haleyville.
MAN: Haleyville? (Takes
a deep breath). Well. Well.
CHARLSIE:
Your eyes
starting to clear up?
MAN:
(Sits down heavily into the chair). All them years. (He looks at CHARLSIE again). Oh my God.
My God. Look at your hair. (Shaking his head). I should’ve known by that hair. I only saw that one time before. And that was a long time ago. Well.
MAN: What’s your name, child?
CHARLSIE:
Named after you. Charlsie Maine.
MAN: (smiles).
That’s your Aunt’s doing. (Reaches into his wallet, pulling out a picture of a
child about ten years old
and hands it to her).
CHARLSIE:
Where did you get this? She knew where you were? All
this time, she knew you where to find you. And you’ve
only been a hour away, all this time?
MAN: It was more than an hour away,
child. It was a lifetime.
You don’t think I didn’t think about you every day
of my life. I never stopped thinking
about you. You were like a ghost, following me
around. I almost convinced myself that you didn’t
exist. When that feeling came, I’d take out your
picture. You don’t know
what it was like for me.
CHARLSIE: No,
I don’t. I don’t know what it was like
for you at all. I
didn’t have the chance to find out. There’s something Aunt Mama used to say, “They
ain’t nothing you can do about it”. Well, I don’t know what I believe,
but I tell you this. I’ll never believe
that.
CHARLES: Well,
how did you find me, girl?
CHARLSIE:
It wasn’t’ all that hard, when you
know where to look.
Or,
you got Mrs. Coley as a neighbor. She’s
the one told me about your music.
MAN: Berta Coley. Still got her nose stuck everyone it don’t belong. Well, what do you want? You want me to say I’m
sorry, that I’ll make it up to you. Well, don’t hold your breath. You know when your mother
left me, it felt
like she had taken all the air with her.
The room was
dry, sucked of air, and I couldn’t breathe.
I was standing
there with you in my arms, her body on the bed,
curled up like she was sleeping, and I couldn’t catch my breath. And all I wanted to do was curl up right beside her and sleep, like her,
but I couldn’t. I had
you. But I couldn’t do that either. I felt part of me had died with her and how was I gonna
be able to raise
a kid feeling like that. I was empty. Shot.
CHARLSIE:
You weren’t the only one she
left. Did you ever think about that?
CHARLES:
Look, girl. I left that life a long time ago. Got a new one,
now. How is Fayrene?
CHARLSIE:
She ain’t too good. I got to sit down. I feel a little sick.
CHARLES:
Bernie, bring ‘em something to
drink. Well, Charlsie Maine, here’s to you.(holds up his drink and nods to her)
CHARLSIE:
Yep. To me. (drinks the liquor). You
drink this all the time? Hmmm. I can see how you might get used to
it. We’re leaving at eight tomorrow
morning. We’re staying at the Holiday Inn.
CHARLES: Know
how to play pool?
CHARLSIE:
Guess so.
CHARLES:
The side pockets are the
trickiest. (tries to steady her cue
stick but CHARLSIE holds onto it more tightly) You
have to angle them just right, or you can kiss it goodbye.
CHARLSIE:
I think I can figure it out. Anyway, I just want to play. It’s
just a game, isn’t it?
CHARLES: Yep,
just a game.
CHARLSIE: You
believe in second chances, don’t you?
CHARLES: Nope,
not really. I believe in the statute of
limitations for
second chances, and mine has been expired long time
ago. God, the way you say that, just, I
don’t know,
brings back a lot of memories. You don’t
look like her, but you sure talk like her. Maybe
your eyes a little.
If I close my eyes, it could be her.
CHARLSIE:
(softly) Close your eyes, then.
CHARLES:
(with eyes closed): Yep. That’s her. A voice like a peach. (opens his eyes and his voice
hardens). What did
you come here for? Weren’t you afraid of
what you might find?
CHARLSIE: I
didn’t think about it that way. I just
knew one day I’d find
you. I didn’t care anymore what I found.
CHARLES:
Well, look around you, girl. This is as good as it gets. (starts
to whistle).
ACT 1
SCENE 5
(Next morning. CHARLSIE and HEM are putting their bags in
the trunk of the car).
HEM: You ready?
CHARLSIE:
Just about. (She
opens the driver’s door and starts to get in. She hears someone whistling. She looks at HEM. He nods.
She gets out of the car. She sees
her father walking toward them).
CHARLES: Guess you’re going. (He
stands next to CHARLSIE awkwardly.
She takes his hand in hers and pats it, like a mother does to a child).
CHARLSIE:
Yep, and there ain’t nothin’ you can
do about it. (He grins
widely at her and squeezes her hand).
CHARLES: Guess
not. Take care of yourself, girl. (CHARLSIE
opens the passenger door and slides
into the car. As the
car drives away, she licks her finger and holds it up into the wind.)

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